Curio's
- What
about the AKG C24 ?
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The
AKG C24
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The
AKG C24 "Stereo" microphone, being purpose
designed and manufactured for
"Stereo" recording.
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Of
course, the C24 can also be used as two completely
independent "Mono" type microphones,
alas in very close proximity.
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There
are two versions of the C24 i.e. Mk1, with it's
"Pressed Brass" Diamond pattern mesh grills and the MK2
with Brass "Wire-mesh" grills. There are
also very minor differences to the circuit's.
These being associated with the
polarizing voltage's applied to the capsules and a
few component value changes.
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Both
of the electronic channels, on separate PCB's,
being enclosed in one common case. With the
1" diameter capsules, being mounted as close,
as physically possible, to one another.
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The
two "Independant" capsules/channels can easily
be arranged to work as a "Crossed
pair" (AB) or in "Middle and Side"
(MS) technique.
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Mk1
and Mk2 versions of the AKG C24 "Stereo" microphone.
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C24 = 2 x
C12 ?
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I
am very often asked, "Isn't the C24
just the
same as two C12's in a single housing ?".
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So
many people seem to think that it is the situation.
In
1962, even the dear old BBC appeared to think so.
See their "Programme
Operations Training Manual".
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Well,
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I am sorry to disappoint ..... but I am afraid to say that
is not the situation.
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Why ?
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First of
all, let us see what the C12 and the C24 have in
common.
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1 -
They are
both based around the "Original" CK12 type capsules
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2 -
They are
both based around the 6072 (12AY7), double triode, valve.
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3 -
They are
both based around the AKG T14/1
"Impedance" matching, output
transformer's.
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Note
- "Early" examples of the AKG C12
microphone, used a larger output transformer, type
V2148
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However,
the similarity between the C12 and the C24 ends
there. Both in electrical design and sound
quality.
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The difference's
!
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If we take a
look at the circuitry of the C24 i.e. Just one
channel, and compare it to the C12, then all
becomes blatantly clearer.
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1
- Grid Biasing Arrangement
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The
"Grid" biasing arrangement is quite
different in both microphones i.e. The C12 uses a
"Specific" feed from the associated N12 power
supply unit, for "Grid Bias", whereas
the C24 is "Self Biasing", through the
use of a 200M ohm "Grid" resistor and a 27k ohm "Cathode" resistor,
together with the associated 33uF
"Cathode" decoupling capacitor.
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These differences
having a very noticeable effect on the "Slope" of the valve, and
therefore it's "Transfer" characteristics.
Also effecting the "Low End"
response/characteristic of the microphone.
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2
- Output Coupling Capacitor Value
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The output coupling capacitor,
to the matching transformer, is of a
different value i.e. A 0.5uF capacitor is used in
the C12, as opposed to a 1uF capacitor in the
C24.
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Thus
changing the "Low End" response, by a
"Whole Octave" at the -3dB point i.e.
There is greater "Bass Extension" on the
C24, compared to that of the C12.
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3
- Valve Anode Decoupling
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The valve
anode, of the C24, is decoupled to earth via a
100pF capacitor.
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Thus
changing the quality of the extreme "Top End"
and "Transient" response of the
microphone.
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Note
- To accommodate the "Grid Biasing"
arrangement, there are also differences between
the associated N12 PSU, for the C12, compared to
the N24 PSU, for the C24.
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Summary,
..... my own thoughts !
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The design
of C12, is based around the principles used during
the middle of the 1950's. Especially with respect
to the "Grid Biasing" technique utilized
in the C12's electronics'. Therefore, this is
probably the main reason for the C12's
"Magical" quality, and that
"Particular Sound" which
is so often associated with units of that period
and design technique i.e. Full and clean, but soft
and spacious.
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The C24,
being of a latter design and therefore using
different design principles, takes on a sound that
one associates with "Self Biased" valve
equipment. Being somewhat "Dryer" and appearing somewhat
"Harder" than one expects from valve
equipment.
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